The D-Kurd handpan is one of the most popular scales in the handpan world. It is based on a natural minor scale ( Aeolian ), which in most cases includes the notes D, E, F, G, A, C, and D (sometimes supplemented by additional octaves or intermediate tones). This appealing, melancholic scale is ideal for gentle melodies, but also for rhythmically accentuated improvisations. One exciting aspect is the cadences – small harmonic sequences or chord progressions that traditionally provide tension and resolution in music. In this blog post, we provide an insight into how to develop atmospheric cadences on a D-Kurd handpan and integrate them into your playing.
What are cadences?
A cadence is a sequence of chords or harmonic steps that divide and structure a musical phrase. In European music, cadences are a key element for building and releasing tension. Typical examples in classical music are V–I (dominant–tonic) or ii–V–I in a jazz context. The principle works similarly with the handpan, although "classical" triads are not always played, but rather arpeggios (broken chords) or melodic lines that allow the chord tones to flow.
The D-Kurd scale at a glance
The D-Kurd scale essentially corresponds to the natural minor (Aeolian). The tones are usually:
D (fundamental note / ding)
E (major second)
F (minor third)
G (fourth)
A (fifth)
C (minor seventh)
D (octave)
Depending on the manufacturer or model, additional notes or octaves may be included (e.g., a low A or C bass, a higher E or F note, etc.). This opens up even more possibilities for exploring the scale.
Typical minor cadences in D Kurd
Since it is a minor key, the following degrees and their chords (simplified) are of interest:
i – D minor (D – F – A)
ii° – E diminished (E – G – B♭) [depending on the scale, B♭ or C may be included]
III – F major (F – A – C)
iv – G minor (G – B♭ – D) or G – C – D, depending on the handpan configuration
v – A minor (A – C – E)
VI – C major (C – E – G)
VII – ? (depending on the musical material, this can be B♭ major, if B♭ is included, or A# etc.)
Not all the notes needed to play traditional chords are always available. However, we can also work with two-part chords (intervals) or arpeggios to suggest the sound of a chord.
Important progressions to try out
i – VI – VII – i
The classical minor cadence:
– Starts on D (root note) and creates a varied but harmonious progression through the VI and VII degrees.
– On the handpan you can play this with appropriate arpeggios or by emphasizing the individual root notes (D – C – (B♭/A) – D).
i – iv – VII – III
Also a popular chord sequence that seems a bit brighter:
– Here D minor, G minor, (B♭ major) or A and F major meet (depending on the scale).
– The major degree on III creates an exciting ray of light within the minor atmosphere.
i – v – iv – i
A subtle minor cadence:
– Between D (i), A (v) and G (iv) particularly melancholic moods are awakened.
– Since many handpans can only play the chord “v” (A minor) in a vague way, floating intervals such as A and E or A and C are suitable as an arpeggio.
Practical tips for playing cadence on the handpan
Interval playing: Instead of playing whole chords, you can play using third and fifth intervals or small arpeggios. The handpan's surface is usually designed so that adjacent sound fields fit together harmoniously.
Use dynamics: Increase the tension by starting gently and gradually increasing the volume or rhythmic intensity. A quiet, closed fade-out then creates the desired resolution.
Transition from low to high notes: For a powerful effect, you can jump from the ding (lowest note) to the high notes. This emphasizes the basic cadence and gives the listener orientation.
Pauses and breathing: Cadences thrive on alternating tension and relaxation. Short pauses (also known as "space for silence") can make the release particularly effective.
Dare to improvise: Feel free to modify familiar sequences – the handpan offers many possibilities to discover “random” or unconventional chord sequences that still sound harmonious.
Conclusion
The D-Kurd handpan, with its natural minor key structure, offers a particularly inviting sonic space for expressive cadences. Whether you're playing simple two-tone chords, classical minor progressions, or experimenting with rhythmic patterns, there are countless possibilities to create tension and resolution and take the listener on a sonic journey. Improvisations that combine typical chord progressions with intuitive playing are particularly appealing. This keeps every performance fresh and lively.
As you get to know your handpan better, you'll quickly notice how even small variations in cadences can transform the entire piece. Try out different fingerings, strumming techniques, and rhythmic subtleties to find your own personal signature when playing the D-Kurd handpan. Have fun discovering and exploring this wonderful scale!
